P  O  R  T  F  O  L  I  O 
/art direction 
/ fashion design
/food styling & table setting


D  R   E   S   S   I  N   G     C  A  K  E  S
A  N D    B  O  D  I  E  S




  
                  
                                                                                     

                                
              


M i r i a m  T o n a t o
0 8 / 0 8 / 2 0 0 0
P a r m a

F a s h i o n  D e s i g n e r  &
T a b l e / F a s h i o n  S t y l i s t
M i l a n                     



Energetic, ambitious and empathetic — this is the most incisive way to describe a personality as overflowing as mine. I approach every situation with enthusiasm, seeking to transmit my essence fully to the people and environments I engage with. I believe in the power of sharing, which is only truly achieved through unity — and in this, my sensitivity plays a key role.



 My academic background is rooted in Fashion Design at Politecnico di Milano, where I completed both  my Bachelor’s and Master’s degrees. Professionally, I have worked in the Style Office at Marco Rambaldi, where I was involved in the creative development of the collections, as well as in external  collaborations with Max Mara and Twin Set. I also contributed to the  ideation and    production of one-of-a-kind pieces for the Celebrity Office, blending design precision with expressive freedom.



My approach to fashion is interdisciplinary: I see styling as a process that weaves together aesthetics and  the world of food.  This dialogue between two seemingly distant domains gave life to A N A R C H I A  A L I M E N T A R E,  a project I founded to  explore social debates, rituality, community, and creative  freedom through the lens of conviviality and dress.












                                                         

I N G R E D I E N T S


I believe that being a creative — and especially a fashion designer — entails a responsibility that matches the immense communicative power and influence fashion holds in the world. My work aspires to infuse the value of free expression and elevate the body to a manifesto of ethical and human values, making the skin itself the surface of a deeper process.

In a society that disciplines bodies into normative patterns, fashion must instead render them unruly — free, plural, and resistant. I imagine fashion as a space of intimate insubordination, where garments do not conceal but liberate, giving shape to a true, intimate, and unapologetically  free human language.





C o n c e p t:

1. W E I R D O
2. S L I C E D  S O U L
3. S U R R E A L I S  A T T I T U D E
4. K I N D  V I V I D I T Y
5. H A N D C R A F T
6. T E X T I L E   R E S E A R C H
7. V O Y E U R I S M  A P P R O A C H










            

                                                                                                                   Anarchia Alimentare  
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